Inspiration and References
YongHong Chen
This project is inspired by several art and science integration projects that transform data into visual and tactile art forms through innovative ways to explore and express complex ecosystem and environmental issues.
First, Nathalie Miebach’s project demonstrates how intangible data can be transformed into objects that can be seen, touched and interpreted through textures, colours and shapes by converting weather data into weaving and sculptural forms. This approach emphasises the power of artistic data, and this project is inspired by this concept (Miebach, 2016).
Second, the project “Danger, Jane Roe!” shows how data expression can be performed through tactile and materialised by combining data visualisation with feminist practice. This project uses a combination of embroidery and electronic components to not only be visually appealing, but also provides a unique tactile experience, challenging the two-dimensional screen limitations of traditional data visualisation (Knight, 2018).
Finally, Marco Barotti’s “Fungi” project explores the intersection of art, science and technology, exploring the global underground ecosystem of fungi by creating metaphorical digital twins of biological networks. Through 3D printing of ceramic sculptures and data acoustic, the project guides the audience to explore the fungal community and its symbiotic relationship with vegetation artistically, while advocating the protection of fungi (Barotti, n.d.).
Together, these projects emphasise the potential of data visualisation in art and science, and the possibility of transforming data into artworks with educational significance and aesthetic value through innovative methods.