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References

YongHong Chen

Barotti, M. (n.d.) Fungi. Available at: https://www.marcobarotti.com/Fungi (Accessed: 18 July 2025).

Barber, F. and Gilson, J. (2023) ‘Stormy Weather: Textile Art, Water and Climate Emergency’, TEXTILE, 21(3), DOI: 10.1080/14759756.2023.2239568.

Dallaway, J. (2012) Titanic + Data + Weaving = Weaving Project #14. Available at: http://jane.dallaway.com/titanic-data-weaving-weaving-project-14/ (Accessed: 18 July 2025).

Gaviria, A.R. (2008) ‘When Is Information Visualization Art? Determining the Critical Criteria’, Leonardo, 41(5), pp. 479–482.

Knight, K.B. (2018) ‘“Danger, Jane Roe!” Material Data Visualisation as Feminist Praxis’, in Losh, E. and Wernimont, J. (eds.) Bodies of Information: Intersectional Feminism and the Digital Humanities. Minneapolis: University of Minnesota Press.

Miebach, N. (2016) Nathalie Miebach Transforms Weather Data into Visual Art. This Is Colossal. Available at: https://www.thisiscolossal.com/2016/03/nathalie-miebach-weather-sculptures/

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To the extent possible under law, YongHong Chen has waived all copyright and related or neighboring rights to The Data Loom: Crafting Stories with Code, Yarn and Print, except where otherwise noted.